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The Mirages exhibition is an invitation to realms of unknown space where the open mind discovers a departure from physical reality and is led by his mind’s eye to a subjective and intangible world.
In creating my work, I enjoy capturing a single image, without story, without context, that leaves the viewer with the task of interpretation. In doing this, the camera becomes the gateway to personal dimensions beyond the realism of the photographic image and carries the minds of viewers outside time and space.
The natural vocation of man to investigate, to know the truth, yield and rise to the contemplation yet is carried away by intuition, relegating the search for what it is. My goal is to create, express and question through images. In each image, is there only one? How divergent is the image for each viewer? Does Murakami´s 1Q84 exist?
Why did I choose to take these pictures? Why exhibit them? Certainly I don`t know.
Perhaps they are memories that I have not yet...

A new photography exhibition at the Embassy of the Argentine Republic captures the beauty of water reflections to connect viewers with alternate worlds, cultures and countries. The exhibition “Mirages” by Mache del Campo of Buenos Aires features 10 of her metal prints that perfectly capture thought-provoking water surface reflections. Minister Federico Barttfeld of the embassy’s cultural section called her work a “journey of color, textures and reflections.”

Photographer Mache del Campo likes metal prints for their bright color and reflective style, which is especially appropriate for this exhibition of photos of water surface reflections.
Alan Henney
“Water is a common theme in this series of work and is used to create an effective barrier between the multivariate worlds, a metaphor for the multi-faceted nature of life from the calm, placid surface to the agitated, complex patterns of ripples and an ever-present reminder of it as a precious, basic human need,” says...